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In his one-hour interview for the American Comedy Archives at Emerson College, Budd Friedman talks about opening his comedy club, the Improv in New York City, and discovering Andy Kaufman. He recalls several luminaires who worked at his club, including Bette Midler, Milton Berle, Eddie Murphy, Steven Wright, and Chris Rock. He discusses what it takes for young comedians to make it as a stand-up comedian, and the challenge of finding wider audiences. Friedman describes what he feels is the then-current state of comedy, and speculates where it might go in the then-future. He concludes with one of his favorite jokes. Bill Dana and Jenni Matz conducted the interview on January 25, 2006 at the Improv on Melrose Avenue in Los Angeles, CA. Additional topics covered include: Television Industry, Comedy Clubs, Comedians, and Performers.

2006-01-25

In his one-hour interview for the American Comedy Archives at Emerson College, Budd Friedman talks about opening his comedy club, the Improv in New York City, and discovering Andy Kaufman. He recalls several luminaires who worked at his club, including Bette Midler, Milton Berle, Eddie Murphy, Steven Wright, and Chris Rock. He discusses what it takes for young comedians to make it as a stand-up comedian, and the challenge of finding wider audiences. Friedman describes what he feels is the then-current state of comedy, and speculates where it might go in the then-future. He concludes with one of his favorite jokes. Bill Dana and Jenni Matz conducted the interview on January 25, 2006 at the Improv on Melrose Avenue in Los Angeles, CA. Additional topics covered include: Television Industry, Comedy Clubs, Comedians, and Performers.

2006-01-25

In his one-hour interview for the American Comedy Archives at Emerson College, Budd Friedman talks about opening his comedy club, the Improv in New York City, and discovering Andy Kaufman. He recalls several luminaires who worked at his club, including Bette Midler, Milton Berle, Eddie Murphy, Steven Wright, and Chris Rock. He discusses what it takes for young comedians to make it as a stand-up comedian, and the challenge of finding wider audiences. Friedman describes what he feels is the then-current state of comedy, and speculates where it might go in the then-future. He concludes with one of his favorite jokes. Bill Dana and Jenni Matz conducted the interview on January 25, 2006 at the Improv on Melrose Avenue in Los Angeles, CA. Additional topics covered include: Television Industry, Comedy Clubs, Comedians, and Performers.

2006-01-25

In his one-and-a-half hour interview for the American Comedy Archives at Emerson College, Jamie Masada talks about how he came to found the Laugh Factory, and Richard Pryor being the first comedian to take the stage there in 1979. He describes figuring out the business of owning a comedy club in Los Angeles, and the challenge of booking comedians when it first opened. He discusses a few controversies that have popped up at the Laugh Factory, including 'Seinfeld’s' Michael Richards using a racial slur, and Carlos Mencia stealing jokes. Masada recalls many incidents of the healing power of laughter at his club, including shows done after 9/11, and holding a memorial for Richard Pryor on the evening of his death. He concludes by discussing his comedy camp for underprivileged kids, and the then-future of comedy. Bill Dana and Jenni Matz conducted the interview on February 19, 2007 at the Laugh Factory on Sunset Boulevard in Los Angeles, CA. Additional topics covered include: 9/11, Creative Influences and Inspiration, Historic Events and Social Change, Pivotal Career Moments, and Comedy Series. An additional show mentioned during the interview is 'Comic Strip Live.'

2007-02-19

In his one-and-a-half hour interview for the American Comedy Archives at Emerson College, Jamie Masada talks about how he came to found the Laugh Factory, and Richard Pryor being the first comedian to take the stage there in 1979. He describes figuring out the business of owning a comedy club in Los Angeles, and the challenge of booking comedians when it first opened. He discusses a few controversies that have popped up at the Laugh Factory, including 'Seinfeld’s' Michael Richards using a racial slur, and Carlos Mencia stealing jokes. Masada recalls many incidents of the healing power of laughter at his club, including shows done after 9/11, and holding a memorial for Richard Pryor on the evening of his death. He concludes by discussing his comedy camp for underprivileged kids, and the then-future of comedy. Bill Dana and Jenni Matz conducted the interview on February 19, 2007 at the Laugh Factory on Sunset Boulevard in Los Angeles, CA. Additional topics covered include: 9/11, Creative Influences and Inspiration, Historic Events and Social Change, Pivotal Career Moments, and Comedy Series. An additional show mentioned during the interview is 'Comic Strip Live.'

2007-02-19

In his one-and-a-half hour interview for the American Comedy Archives at Emerson College, Jamie Masada talks about how he came to found the Laugh Factory, and Richard Pryor being the first comedian to take the stage there in 1979. He describes figuring out the business of owning a comedy club in Los Angeles, and the challenge of booking comedians when it first opened. He discusses a few controversies that have popped up at the Laugh Factory, including 'Seinfeld’s' Michael Richards using a racial slur, and Carlos Mencia stealing jokes. Masada recalls many incidents of the healing power of laughter at his club, including shows done after 9/11, and holding a memorial for Richard Pryor on the evening of his death. He concludes by discussing his comedy camp for underprivileged kids, and the then-future of comedy. Bill Dana and Jenni Matz conducted the interview on February 19, 2007 at the Laugh Factory on Sunset Boulevard in Los Angeles, CA. Additional topics covered include: 9/11, Creative Influences and Inspiration, Historic Events and Social Change, Pivotal Career Moments, and Comedy Series. An additional show mentioned during the interview is 'Comic Strip Live.'

2007-02-19

1986-02-02

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