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In his one hour interview for the American Comedy Archives at Emerson College, Tim Conway talks about his turbulent start in Hollywood, even dubbing his younger self as "the dumbest guy in the business." He fondly reminisces moments from early in his career, like working on "The Steve Allen Show" and "The Carol Burnett Show." He speaks about some of the most important lessons he learned from his peers, like perseverance and respecting everyone who helps bring your vision to life. Conway advises that creating experiences for yourself is the key to being in show business, and considers the question "Was it worth it?" Bill Dana and Jenni Matz conducted the interview on January 18, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-18

In his one hour interview for the American Comedy Archives at Emerson College, Tim Conway talks about his turbulent start in Hollywood, even dubbing his younger self as "the dumbest guy in the business." He fondly reminisces moments from early in his career, like working on "The Steve Allen Show" and "The Carol Burnett Show." He speaks about some of the most important lessons he learned from his peers, like perseverance and respecting everyone who helps bring your vision to life. Conway advises that creating experiences for yourself is the key to being in show business, and considers the question "Was it worth it?" Bill Dana and Jenni Matz conducted the interview on January 18, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-18

In his one hour interview for the American Comedy Archives at Emerson College, Tim Conway talks about his turbulent start in Hollywood, even dubbing his younger self as "the dumbest guy in the business." He fondly reminisces moments from early in his career, like working on "The Steve Allen Show" and "The Carol Burnett Show." He speaks about some of the most important lessons he learned from his peers, like perseverance and respecting everyone who helps bring your vision to life. Conway advises that creating experiences for yourself is the key to being in show business, and considers the question "Was it worth it?" Bill Dana and Jenni Matz conducted the interview on January 18, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-18

In his two hour and twenty minute interview for the American Comedy Archives at Emerson College, Buck Henry talks about his start in improvisational comedy, and how he met many notable comedians such as Ted Flicker, George Segal and Joan Darling while active in the scene. He talks abut how he worshipped Steve Allen, and how writing on the show was a pivotal moment in his life and career. He speaks about creating the hit comedy show "Get Smart," and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on May 26, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, Pivotal Career Moments and Television Comedies.

2005-05-26

In his two hour and twenty minute interview for the American Comedy Archives at Emerson College, Buck Henry talks about his start in improvisational comedy, and how he met many notable comedians such as Ted Flicker, George Segal and Joan Darling while active in the scene. He talks abut how he worshipped Steve Allen, and how writing on the show was a pivotal moment in his life and career. He speaks about creating the hit comedy show "Get Smart," and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on May 26, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, Pivotal Career Moments and Television Comedies.

2005-05-26

In his two hour and twenty minute interview for the American Comedy Archives at Emerson College, Buck Henry talks about his start in improvisational comedy, and how he met many notable comedians such as Ted Flicker, George Segal and Joan Darling while active in the scene. He talks abut how he worshipped Steve Allen, and how writing on the show was a pivotal moment in his life and career. He speaks about creating the hit comedy show "Get Smart," and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on May 26, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, Pivotal Career Moments and Television Comedies.

2005-05-26

In his one hour and twenty minute interview for the American Comedy Archives at Emerson College, Dick Martin talks about his start in stand up comedy in nightclubs, and how he got to see several iconic comedic duos at work, such as Dana and Wood, Rowan and Martin, and Martin and Lewis. He shares his opinion on some new generation shows like "Friends," "Everybody Loves Raymond," "The Colbert Report," and the "Daily Show." Bill Dana and Jenni Matz conducted the interview on January 27, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-27

In his one hour and twenty minute interview for the American Comedy Archives at Emerson College, Dick Martin talks about his start in stand up comedy in nightclubs, and how he got to see several iconic comedic duos at work, such as Dana and Wood, Rowan and Martin, and Martin and Lewis. He shares his opinion on some new generation shows like "Friends," "Everybody Loves Raymond," "The Colbert Report," and the "Daily Show." Bill Dana and Jenni Matz conducted the interview on January 27, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-27

In his one hour and twenty minute interview for the American Comedy Archives at Emerson College, Dick Martin talks about his start in stand up comedy in nightclubs, and how he got to see several iconic comedic duos at work, such as Dana and Wood, Rowan and Martin, and Martin and Lewis. He shares his opinion on some new generation shows like "Friends," "Everybody Loves Raymond," "The Colbert Report," and the "Daily Show." Bill Dana and Jenni Matz conducted the interview on January 27, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-27

In his hour long interview for the American Comedy Archives at Emerson College, Don Knotts talks about all the rejection he faced before getting his start in radio voicing characters and eventually in comedy on TV and film. He fondly reminisces working with comedy legends like Steve Allen, Jack Benny and Andy Griffith. He shares his advice to young people, that it's important to keep your eyes on the prize even if the going gets tough, and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 9, 2005 in Los Angeles, CA. Additional topics covered include: Comedy and Pivotal Career Moments.

2005-03-09

In his hour long interview for the American Comedy Archives at Emerson College, Don Knotts talks about all the rejection he faced before getting his start in radio voicing characters and eventually in comedy on TV and film. He fondly reminisces working with comedy legends like Steve Allen, Jack Benny and Andy Griffith. He shares his advice to young people, that it's important to keep your eyes on the prize even if the going gets tough, and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 9, 2005 in Los Angeles, CA. Additional topics covered include: Comedy and Pivotal Career Moments.

2005-03-09

In his hour long interview for the American Comedy Archives at Emerson College, Don Knotts talks about all the rejection he faced before getting his start in radio voicing characters and eventually in comedy on TV and film. He fondly reminisces working with comedy legends like Steve Allen, Jack Benny and Andy Griffith. He shares his advice to young people, that it's important to keep your eyes on the prize even if the going gets tough, and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 9, 2005 in Los Angeles, CA. Additional topics covered include: Comedy and Pivotal Career Moments.

2005-03-09

In his one and a half hour interview for the American Comedy Archives at Emerson College, Jan Murray talks about his start as an announcer for vaudeville theater, and how he was tasked with making audiences laugh after sad movies. He shares his opinion on some new generation shows like "Friends," "Everybody Loves Raymond," "The Colbert Report," and the "Daily Show." Bill Dana and Jenni Matz conducted the interview on January 27, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-17

In his one and a half hour interview for the American Comedy Archives at Emerson College, Jan Murray talks about his start as an announcer for vaudeville theater, and how he was tasked with making audiences laugh after sad movies. He shares his opinion on some new generation shows like "Friends," "Everybody Loves Raymond," "The Colbert Report," and the "Daily Show." Bill Dana and Jenni Matz conducted the interview on January 27, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-17

In his one and a half hour interview for the American Comedy Archives at Emerson College, Jan Murray talks about his start as an announcer for vaudeville theater, and how he was tasked with making audiences laugh after sad movies. He shares his opinion on some new generation shows like "Friends," "Everybody Loves Raymond," "The Colbert Report," and the "Daily Show." Bill Dana and Jenni Matz conducted the interview on January 27, 2006 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2006-01-17

In his hour and a half long interview for the American Comedy Archives at Emerson College, Bill Persky talks about how growing up during the Depression taught him that laughter is the greatest painkiller. He talks about working on shows like "Kate and Allie," "That Girl," and "Working it Out." Persky advises that young students and performers should prioritize being themselves, and to always have a sense of humor about themselves. Bill Dana and Jenni Matz conducted the interview on April 8, 2005 in New York City, NY. Additional topics covered include: Comedy and Pivotal Career Moments.

2005-04-08

In his hour and a half long interview for the American Comedy Archives at Emerson College, Bill Persky talks about how growing up during the Depression taught him that laughter is the greatest painkiller. He talks about working on shows like "Kate and Allie," "That Girl," and "Working it Out." Persky advises that young students and performers should prioritize being themselves, and to always have a sense of humor about themselves. Bill Dana and Jenni Matz conducted the interview on April 8, 2005 in New York City, NY. Additional topics covered include: Comedy and Pivotal Career Moments.

2005-04-08

In his hour and a half long interview for the American Comedy Archives at Emerson College, Bill Persky talks about how growing up during the Depression taught him that laughter is the greatest painkiller. He talks about working on shows like "Kate and Allie," "That Girl," and "Working it Out." Persky advises that young students and performers should prioritize being themselves, and to always have a sense of humor about themselves. Bill Dana and Jenni Matz conducted the interview on April 8, 2005 in New York City, NY. Additional topics covered include: Comedy and Pivotal Career Moments.

2005-04-08

In his two hour interview for the American Comedy Archives at Emerson College, Howard Storm shares anecdotes and wisdoms from his time directing shows such as "Rhoda," "Mork and Mindy," and "Laverne and Shirley." He shares his philosophy on comedy; that comedy is purely instinctual and being a little crazy is necessary for the art. He says that comedy needs practice and passion to truly work, and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on June 1, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, Pivotal Career Moments and Television Comedies.

2005-06-01

In his two hour interview for the American Comedy Archives at Emerson College, Howard Storm shares anecdotes and wisdoms from his time directing shows such as "Rhoda," "Mork and Mindy," and "Laverne and Shirley." He shares his philosophy on comedy; that comedy is purely instinctual and being a little crazy is necessary for the art. He says that comedy needs practice and passion to truly work, and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on June 1, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, Pivotal Career Moments and Television Comedies.

2005-06-01

In his two hour interview for the American Comedy Archives at Emerson College, Howard Storm shares anecdotes and wisdoms from his time directing shows such as "Rhoda," "Mork and Mindy," and "Laverne and Shirley." He shares his philosophy on comedy; that comedy is purely instinctual and being a little crazy is necessary for the art. He says that comedy needs practice and passion to truly work, and considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on June 1, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, Pivotal Career Moments and Television Comedies.

2005-06-01

In his one hour interview for the American Comedy Archives at Emerson College, Dick Van Patten talks about how he got an early start in entertainment as a child theater actor in over 27 plays. He fondly recounts anecdotes from working on shows such as "Eight is Enough," "The Partners," and "The Dick Van Dyke Show." Van Patten also considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 10, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Pivotal Career Moments and Television Comedies.

2005-10-03

In his one hour interview for the American Comedy Archives at Emerson College, Dick Van Patten talks about how he got an early start in entertainment as a child theater actor in over 27 plays. He fondly recounts anecdotes from working on shows such as "Eight is Enough," "The Partners," and "The Dick Van Dyke Show." Van Patten also considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 10, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Pivotal Career Moments and Television Comedies.

2005-10-03

In his one hour interview for the American Comedy Archives at Emerson College, Dick Van Patten talks about how he got an early start in entertainment as a child theater actor in over 27 plays. He fondly recounts anecdotes from working on shows such as "Eight is Enough," "The Partners," and "The Dick Van Dyke Show." Van Patten also considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 10, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Pivotal Career Moments and Television Comedies.

2005-10-03

In his one hour and twenty minute interview for the American Comedy Archives at Emerson College, Larry Gelbart talks about moments in his career, from his start in radio to creating the hit sensation M*A*S*H. He speaks about how humour can be a defense mechanism (almost like a sword and shield), especially among Jewish people. He talks about how being funny cannot be taught, it can only be sharpened. Gelbart fondly recalls anecdotes working with comedians like Sid Caesar and Henny Youngman, and considers the question "Was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 10, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2005-03-10

In his one hour and twenty minute interview for the American Comedy Archives at Emerson College, Larry Gelbart talks about moments in his career, from his start in radio to creating the hit sensation M*A*S*H. He speaks about how humour can be a defense mechanism (almost like a sword and shield), especially among Jewish people. He talks about how being funny cannot be taught, it can only be sharpened. Gelbart fondly recalls anecdotes working with comedians like Sid Caesar and Henny Youngman, and considers the question "Was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 10, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2005-03-10

In his one hour and twenty minute interview for the American Comedy Archives at Emerson College, Larry Gelbart talks about moments in his career, from his start in radio to creating the hit sensation M*A*S*H. He speaks about how humour can be a defense mechanism (almost like a sword and shield), especially among Jewish people. He talks about how being funny cannot be taught, it can only be sharpened. Gelbart fondly recalls anecdotes working with comedians like Sid Caesar and Henny Youngman, and considers the question "Was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 10, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Creative Influences, and Pivotal Career Moments.

2005-03-10

In his one and a half hour interview for the American Comedy Archives at Emerson College, Tom Poston talks about fighting in World War II before he got started in comedy and television. He fondly recollects working on "The Steve Allen Show" with notable personalities like Stan Burns, Herb Sargent, George Schlatter and Jack Rollins. He advises aspiring comedians to not be afraid of the fraught nature of the industry, and to keep persevering. Poston also considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 11, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Pivotal Career Moments and Television Comedies.

2005-03-11

In his one and a half hour interview for the American Comedy Archives at Emerson College, Tom Poston talks about fighting in World War II before he got started in comedy and television. He fondly recollects working on "The Steve Allen Show" with notable personalities like Stan Burns, Herb Sargent, George Schlatter and Jack Rollins. He advises aspiring comedians to not be afraid of the fraught nature of the industry, and to keep persevering. Poston also considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 11, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Pivotal Career Moments and Television Comedies.

2005-03-11

In his one and a half hour interview for the American Comedy Archives at Emerson College, Tom Poston talks about fighting in World War II before he got started in comedy and television. He fondly recollects working on "The Steve Allen Show" with notable personalities like Stan Burns, Herb Sargent, George Schlatter and Jack Rollins. He advises aspiring comedians to not be afraid of the fraught nature of the industry, and to keep persevering. Poston also considers the question "was it worth it?" Bill Dana and Jenni Matz conducted the interview on March 11, 2005 in Los Angeles, CA. Additional topics covered include: Comedy, Pivotal Career Moments and Television Comedies.

2005-03-11

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